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These included William Blake and Samuel Palmer and the other members of the Ancients in England, and in Germany Philipp Otto Runge. The Rome-based Nazarene movement of German artists, active from 1810, took a really different path, concentrating on medievalizing history paintings with religious and nationalist themes. Musicologist Marcia Citron has asked “hy is music composed by ladies so marginal to the standard ‘classical’ repertoire?” Citron “examines the practices and attitudes which Art & Music have led to the exclusion of girls composers from the received ‘canon’ of carried out musical works”. In the “…Concise Oxford History of Music, Clara Shumann is among the only feminine composers mentioned.” Abbey Philips states that “uring the twentieth century the women who have been composing/playing gained far less attention than their male counterparts.”